short stories

Starving Short Story Review: The Steamkettle Kids Save The Day! (The Legends and Adventures of Industralia Part 1) by Lori Alden Holuta

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The Steamkettle Kids Save The Day! (The Legends and Adventures of Industralia Part 1) by Lori Alden Holuta (Amazon, Goodreads)

It has been a busy week at Starving Author LLC but I guaranteed a review and thus it shall be! To accommodate my busy eating schedule, today’s Starving Review will be for a little treat of a children’s meal, a one-course snack that comes out of the steampunk kitchen of previous Starving Review chef, Lori Alden Holuta. Will today’s meal match up to previous bites or will it be insufficient to quiet my stomach grumbles?

Before we find out, remember to check the factory rules and be safe at reviewing:

  1. I attempt to rate every book from the perspective of a fan of the genre
  2. I attempt to make every review as spoiler-free as possible

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Starving Review: The Legend of The Engineer: A New Year’s Holiday Tale by Lori Alden Holuta

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The Legend of The Engineer: A New Year’s Holiday Tale by Lori Alden Holuta (Amazon, Goodreads)

This week, we are serving up short stories in the Starving Review kitchen.  The Legend of The Engineer is a short tale set in the world of The Brassbright Chronicles, which we have been served a meal from before.  The first was a bright, cheery steampunk dish for younger readers.  Will this small slice from that same cake taste as good or will it be diminished by the smaller portion?

As the pneumatic table service sets the plates, let us recall the Starving Review bylaws:

  1. I attempt to rate every book from the perspective of a fan of the genre
  2. I attempt to make every review as spoiler-free as possible

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Starving Review: Krim Du Shaw by Talia Haven

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Krim Du Shaw by Talia Haven (Amazon, Goodreads)

This week, we are serving up short stories in the Starving Review kitchen.  Seeking to follow the recipe of the fairy tales of old, Krim Du Shaw promises magic and something ready for reluctant readers.  Will this modern fable deliver or has this recipe gotten too old to stand the test of time?

Before we answer those questions, let us bring forth Ye Olde Starving Review Laws:

  1. I attempt to rate every book from the perspective of a fan of the genre
  2. I attempt to make every review as spoiler-free as possible

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Starving Interview: Ian Clements, author of Terror Beyond Measure

I’m pleased with how many of my colleagues have taken the plunge back into the kitchen.  Today, we welcome Ian Clements, the chef behind Terror Beyond Measureback to have a chat about his cooking.  Let’s take a look at the mind behind Norton Pumblesmythe!

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Starving Review: ABANDONED: Three Short Stories by Jim Heskett

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ABANDONED: Three Short Stories by Jim Heskett (Amazon, Goodreads)

Even a week of vacation won’t stop me from starving, so it’s time to dig into the pantry for a meal that won’t take too much time to gobble down but will hopefully hit the spot all the same!  Today, I’m cracking ABANDONED, a collection of three short stories, tied together by a central theme of the lost finding their way.  Will Mr. Heskett’s three-piece bite-sized literary drama settle my hunger or will it make me wish I had just stayed out of the pantry?

Before we find out, let’s recount the Starving Review creed:

  1. I attempt to rate every book from the perspective of a fan of the genre
  2. I attempt to make every review as spoiler-free as possible.

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Starving Review: The Fetish Collection by Paul Burns

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The Fetish Collection by Paul Burns (Amazon, Goodreads)

So, loyal readers, you’ve seen the Starving Reviewer tackle everything from children’s books to high fantasy.  This week, I’m expanding my taste selection to a new set of recipes, which is to say it’s time to take a taste of some erotica.  The real taste test for this sort of food comes down to that razor-thin edge between erotica (the story drives the sexual content) and straight-out pornography (the sexual content drives the story).  Does The Fetish Collection, a short-story anthology based around sexual fetishes, pass the erotica taste test?

Before we find out, it’s time to bring out the Starving Review creed:

  1. I attempt to rate every book from the perspective of a fan of the genre
  2. I attempt to make every review as spoiler-free as possible.

(more…)

Starving Review: Terror Beyond Measure: A Norton Pumblesmythe Short Story by Ian Clements

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Terror Beyond Measure: A Norton Pumblesmythe Short Story by Ian Clements (Amazon, Goodreads)

Some literary foods are full meals, heaping quantities to be ingested and enjoyed at a table over a course of time.  Others, however, are tender morsels, snacks meant to be gulped down quickly in this fast ‘on-the-go’ world we live in.  Terror Beyond Measure is one of those snacks.  Does its small size mean it lacks flavor or is it a taste-filled delight in a minute package?

Before I answer that, let us remember the Starving Review creed:

  1. I attempt to rate every book from the perspective of a fan of the genre.
  2. I attempt to make every review as spoiler-free as possible.

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Starving Review: I Truly Lament: Working Through the Holocaust by Mathias B. Freese

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I Truly Lament: Walking Through the Holocaust by Mathias B. Freese (Amazon, Goodreads)

Not all literary meals are laid out on the table purely for the stuffing of the reader’s face with new entertainment.  Some have a purpose behind their creation and other recipes are crafted to bring the reader an important message or a deep feeling as he sits chewing the fat.  I’ve reviewed at least one book like this before so it’s not a stranger to this Starving Reviewer and I have another such literary meal at my table today.  The message and the event it seeks to fill our taste buds with is older but even stronger than the previous book.  I Truly Lament deals with one of the great and terrible tragedies of the 20th Century: the Holocaust.  Does it perform its mission admirably?  Let’s find out.

But first!  The Starving Review creed!

  1. I attempt to rate every book from the perspective of a fan of the genre.
  2. I attempt to make every review as spoiler-free as possible.

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A Writing Lab Experiment: The Second Person Set-Up

As I sat down this morning to eat my Cheerios and map out my work for the day, I had a strange notion.  Now, for those who have read some of my previous musings, like this one on perspectives, you know that I’m not a big fan of present tense writing and I didn’t even bother to take a look at the second person perspective before.  My strange notion was that, perhaps, I was being a bit quick to judge both the use of that tense and that perspective.

That’s not to say that I still don’t think they are inherently clunky and difficulty to use, but what I did realize is that the present tense combined with a second person perspective had a certain undeniable draw.  If you set up the story correctly, it could make for a very fascinating piece, combining elements of the first and third person viewpoints in a fairly novel way.  The problem, of course, is that it may wind up just a bit too strange to write well.

The thing is that I am now willing to give it a try.  Nothing novel-length yet … I have already established a writing style for each of my two trilogies and I don’t have the time to go off on a tangent that large.  A short story, though, could make for a fun diversion, especially if it ties in to the other narratives.

So, what do you fine folks think?  Do you think I should experiment with this while I have the time?  Let me know!

Back to Writing: Event-driven plots vs. Character-driven plots

So, today, I’m beginning the outlining work on my next book as I wait for beta readers and editors to do their thing.  That being the case, plot is on my mind and it made me start thinking about the nature of plots in general.  Now, my musings are nowhere near comprehensive but, at least in the context of what I’m now working on, I pondered two different methods of plotting: event-driven versus character-driven.

The meanings of the terms are pretty straight-forward, if you’re not already familiar with them.  Event-driven plots are plots where the conflict is caused by specific events which occur outside of the actions of the characters.  A novel written around a natural disaster would be a perfect example.  Character-driven plots are plots where the actions of the characters generate the conflicts that move the story along.  A heist novel would be a great example of this.  Both types of plots have valid uses, so it comes down to deciding which is best for the story you want to tell.

At first blush, event-driven plots seem to showcase the central event as the ‘main character’.  This is true in some cases; there are books and films where something as esoteric as a deadly virus can have a fully realized character arc.  It can also be used to shine a light on variances at human character as a wide slice of character types react and change because of the event.  A series of plot-driving events could also be used as part of a character-driven plot to provide catalysts for character action that then spin off into a completely character-driven plot.

What’s important to realize is that event-driven plots aren’t event-driven if the ‘events’ in question are caused by the actions of another character (at least a character that is part of the novel’s cast).  A childhood murder (to steal a Batman moment) could be considered an ‘event’ if the murderer is not part of the plot from that point on, but if the murderer and his actions have a hand in the larger plot, then it could be simply another character-driven plot point.  Is it really important to the writing process to know the difference between these two approaches to plot?

I think so.  It mainly shows up in the style of the writing.  Event-driven writing, by it’s nature, introduces a certain immutability about the events that drive the plot.  The characters mold around the events instead of directly influencing them.  Again, this is great depending on the type of novel you are writing, but it can be horrible for other works.  The problem comes in when a writer intends to write, let’s say, a character-driven piece but then has every motivating event that occurs be an immutable thing that doesn’t derive from any character’s action.  Often times, this is simply a matter of clunky plotting: a certain character’s actions are treated as immutable events that never alter from the actions or reactions of other character’s.  In essence, those actions become ‘acts of God’ and there suddenly is not interplay between those actions and the reactions of the rest of the cast.  In a character-driven piece, this is suicide.

I suppose the ultimate point I’m making is that I’ve learned to try to be careful when plotting and writing a piece to keep in mind what you are trying to do and where you want the focus to lie.  It’s easy to make a few slips that turn the focus of something away from the intended target.  What do you think?  Do you consider how you plot something to be important in the execution of a piece?  Do you prefer to write based around events or around characters?  Let me know!

P.S. I’m always open for more beta readers.  If you want to get first crack at all of my current and future books, this is your chance!  Who can argue with free books, right?