Good day, my literary foodies! I’m sure we’re all familiar with typical story structure. If you need a refreshing, this is following a story from its chronological beginning and then progressing through the events of the plot through to the conclusion. Simple, basic, but almost always reliable. The old stand-by of storytelling! However, there are a variety of other interesting ways to structure and tell a story.
It’s been a bit since I talked about action, which I should say is a gaff on my part. I mean, my primary works are bathed in the essence of the action/adventure piece so you would think I’d have more to say on it. So, today’s Into the Action will look at that tried and true plot device, the Cliffhanger.
To be precise, a Cliffhanger is the story technique where characters are set up in a dangerous or dramatically tense situation at the cusp of resolution then ending the chapter or scene right at that point. Later on in the book, or perhaps in the sequel, the situation will usually be picked back up and resolved. Sometimes, this resolution happens ‘off-camera’ and the scene is resumed with the characters dealing with the aftermath of the situation.
The purpose of the Cliffhanger is to build dramatic tension first and foremost. With the resolution of a situation hanging in the air, the reader is pulled along the story to find out how the situation plays out. Especially in a serial work, this technique can keep readers coming back for installment after installment, eager to find out how the latest near-death situation was averted … or who died.
Just like any other plot device or story technique, Cliffhangers can be used poorly. Most often this is the case when there is no dramatic tension built up in the scene in the first place. If the reader has no investment in the drama of the situation, he/she won’t care how it concludes, so the timing of the conclusion doesn’t matter one bit to them. A Cliffhanger should only be used after there is a solid investment in the action as it is.
Another way to cheapen the effect of a Cliffhanger is to invoke one in a situation that, while dramatic, has no real consequences to ‘failure’. If there is no danger, no matter how invested the reader is or how dramatic the scene may be, there isn’t much need for a Cliffhanger. Note that danger constitutes more than physical harm. There are plenty of emotional and spiritual dangers out there, and all could be turned into a workable Cliffhanger. The one way an inconsequential Cliffhanger might work is in a comedy piece, using the pointless Cliffhanger as a bit of a spoof of the action/adventure genre. For the most part, though, stick to the danger.
Can you overuse Cliffhangers? Certainly. The truth is that you can overdo just about any kind of plot device, no matter how cunningly wrought. As someone who loves to use them, there are definitely times where they are unnecessary, no matter how dramatic the situation. Sometimes, it’s best just to resolve things and keep a traditional narrative flow. It will make the Cliffhangers ‘pop’ all the more when shown in comparison to a normal resolution.
What do you think? Do you like to incorporate the Cliffhanger structure into your works? Outside of raw action sequences, how can Cliffhangers be put to good use? Comment and discuss below!